Thomas and Marianne, a feuding couple whose relationship has hit a wall, decide to spend a weekend at Thomas’s uncle’s lakeside cottage. This is their last chance to save their relationship, which has been jeopardized by Marianne’s meaningless flirtations and Thomas’s uncontrollable jealousy. As they arrive, a restless yet charming neighbour welcomes them into their house and, realizing that Thomas’s uncle and girlfriend will not be showing up for days, suggests they share the dinner he has prepared. The drunken night that follows – with this man, who might not be who he seems to be, pushing his charms on Marianne – leads to a weekend of blurred emotions and events, where loyalties, guilt and a shared secret will test the young couple’s ability to survive. Along the way, flashbacks shed light on events that unfold, as Demers – who won the prize for Best Canadian Short Film at the Festival in 1999 for Décharge – begins to introduce information about each character in order to build doubt and ramp up the tension. Jaloux is a tour de force in both its European mood and style and its North American subject and nature, a result which could not have been achieved without the self-assured skills of an expert filmmaker.

托马斯和玛丽安是一对恩怨不断的夫妻，他们的关系已经破裂，他们决定在托马斯叔叔的湖边小屋度周末。这是他们挽救关系的最后机会，玛丽安毫无意义的调情和托马斯无法控制的嫉妒破坏了他们的关系。当他们到达时，一个不安但迷人的邻居欢迎他们进入他们的家，并意识到托马斯的叔叔和女朋友几天内不会出现，建议他们分享他准备的晚餐。接下来的一个醉酒之夜，这个男人，可能不是他看起来的样子，把他的魅力推到玛丽安身上，导致了一个充满情感和事件的周末，忠诚、内疚和共同的秘密将考验这对年轻夫妇的生存能力。在这一过程中，闪回让人们看到了发生的事情，德默斯（Demers）在1999年的电影节上因《德卡姆》获得了最佳加拿大短片奖，他开始介绍每个角色的信息，以建立怀疑并加剧紧张。Jaloux在欧洲的气氛和风格以及北美的主题和性质上都是一部力作，如果没有一位专业电影制作人的自信技巧，这是不可能实现的。

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